Showing posts with label architecture in helsinki. Show all posts
Showing posts with label architecture in helsinki. Show all posts

31 December 2007

Top 2007 Albums

These albums were chosen by the four of us using a weighted rating system, with each of us having 10 points to evenly distribute over 8-15 albums. Click on an artist's name to see our review of the album, the album name to purchase a copy, and mp3s to download ahoy before you ring in the New Year!*

The 12 winners (ties at #2 and #8) with their point totals are below:

1. Jens Lekman: Night Falls over Kortedala (26.8)
The Opposite of Hallelujah.mp3

Don't mind Jess plagiarizing herelf, but she's gonna quote her blurb in The L Magazine's top 25 album list, (which you should all check out as well, even though it's not as cool as this list because Jens is only #6 and not #1)
Every song on Kortedala joyously unfolds like the start of a newfound love affair, replete with all the smitten excitement, endearing awkwardness and the good kind of nervousness that any worthwhile relationship naturally entails. With its swirling retro-pop samples seamlessly integrated into the Swedish troubadour’s distinctly contemporary tales of romantic melancholy, it’s hard not to be won over by his lyrical wit, aw-shucks charm and total lack of irony. Whether he’s slicing up avocados, getting a haircut or flirting with a deaf girl, Jens effortlessly transforms those mundane little moments into the stuff that magical glockenspiel-laden epiphanies are made of. Doing what few albums this year (or any year) could accomplish: Kortedala inspires, reaffirming life and restoring faith in that crazy little thing called love, for even the most cynical. Don’t let anyone stand in your way.
Our favorite fine feathered friend fingerling-a-lings a finely focused effort.
A Hand To Take Hold Of The Scene.mp3, Plus Ones.mp3
The audio equivalent of a rich, satisfying novel.
Listen for our friend Sufjan ticking the ivories on a few tracks of this rock-solid rock album.

"It's got enough atmosphere to start a planet: One minute of rapt attention, at two minutes my mind was blown. By the time the three-minute mark rolled around, my face was so melted as to leave my corpse unidentifiable." -June

Overture.mp3, Accident & Emergency.mp3
Creepy and joyous, all at the same time: Wolf's broad-reaching voice and lyrics take back seat to impressive layers of Rachmaninoff-inspired pop compositions as colorful as the packaging.

6.
Radiohead: In Rainbows (11)
Not only the best pick-your-price album of the year, but one of the best in general. A real return to real rock, and their best opus since OK computer.
7. Of Montreal: Hissing Fauna, Are You the Destroyer? (10.3)
Jess again quotes herself: "It’s a weird mix of accessible melodies and dark synth-powered vitriol, a constant battle between the two tones, ending gloriously in a draw."
Between My Legs.mp3, Slideshow.mp3
Epic and operatic and tongue in cheek and melancholy and oh-so-very Rufus.

8.
Ted Leo & the Pharmacists: Living With the Living (10)

9. Magnolia Electric Co.: Sojourner (9.6)
Hold Music.mp3, Lazy (Lazy).mp3
A more mature sounding recording that doesn't sacrifice any of the playfulness of their earlier albums.



Runners-Up (chosen by two or more of us)
So few bands actually sound their best when they sound more like themselves. Spoon is one of them.
Mmmmmm...slacker-rific! Now, with new improved sound and delicious hooks!
Does liking this album take me one step closer to soccer mom-dom? Aw, fuck it. Jeff Tweedy will never break my heart.
You Don't Know What Love Is (You just Do As You're Told.).mp3
People keep saying the White Stripes have done all they can. People can be dumb sometimes.
I Feel It All.mp3
Please, let's divorce this album from all its commercial appeal, because let's face it no matter how hard Apple might try, Feist proves you can't commodify a broken heart.



EPs we liked (not ranked)
You! Me! Dancing.mp3
The most fun 16 minutes I've heard all year, like if AiH had a love child with Art Brut.

Black Kids: Wizard of Ahhs
I've Underestimated My Charm (Again).mp3
Yeah, maybe the blogs overestimated their charm, but hey you gotta admit they're catchy.

Grizzly Bear: Friend EP
He Hit Me.mp3
Psych-folk masters rework old material and freak the crap out of me. In a good way, of course.
Hold It In.mp3
Damn near-addictive piano-based, power-pop, proving quirky vocals and handclaps are always a winning combination.
Holland, 1945.mp3
A small selection of pared-back Neutral Milk Hotel covers from one of the best acts to come
out of new weird America.

Seems Like Home To Me.mp3
With voices that sound older then they are as inherently American as Bruce Springsteen and pb&j.
New Zealand's 4th-most-popular guitar-based digi-bongo a capella rap-funk-comedy folk duo!



Individual picks

Jess liked...
Richard Hawley: Lady's Bridge
Serious.mp3
I'm really just a sucker for his croon.

The Cold, The Dark & The Silence.mp3
This album is so gorgeous, I can't even justify its majestic, autumnal gorgeousness.

The penned landscape of downtrodden America; Americana at its must rustic, rural--and authentic.

LCD Soundsystem: The Sound of Silver
The one album that made me want to dance and cry at the same time, despite not being coordinated enough to do so.

June liked...
Instantly arresting lyrics, unstoppable guitar riffs and rock beats; the songs stand on their own but work best as a collective unit.

Where cacophany, noise rock, J-pop and a complete lack of irony in the joy of music collide into brilliance.

Castanets: In the Vines
Haunting gorgeous... or gorgeously haunting? Asthmatic Kitty's best release this year.

Trent Reznor has been busy this year, putting out his own album (Year Zero) and producing this fantastic over-the-top grindcore work from preacher/poet/musician Saul Williams.

Megan liked...
Werewolf.mp3
Everything I hate combined to make something I love.

Megan raved about this album at length just a few posts down, but she'll say it again: kickass album with kickass choruses!

If The Brakeman Turns My Way.mp3
The boy wonder isn't a boy anymore, and it's fitting that his new album has a more mature
sound. Sure, a lot of the clumsy charm of his earlier stuff is gone, but the polished, grown up
songs on Cassadaga are just as rewarding in their own way.

Myriad Habour.mp3
Energetic and melodic and instantly enjoyable.

Lizzie liked...
State Radio: Year of the Crow
Griffin House: Flying Upside Down

*For those of us currently West of, say, Casablanca.

14 October 2007

But I'm Not Bitter That Jess Saw Them Live. Honest.


So there's this thing I do. I guess, well, I guess you'd call it a bad habit. A bad habit that I can't afford, but that I indulge in way too often.

I see CDs with cool covers and I buy them. Because they have cool covers. Have I heard of them before? Does the tracklisting look cool? Is it cheap? These things don't matter! I will put CDs that I have been wanting for ages back on the shelf and gleefully skip to the counter clutching the nicely artworked album close, because the cover looks cool.

More often than not the music is OK in a mediocre kind of way. Sometimes it's downright awful. And sometimes, just sometimes, the music is amazing. It doesn't happen often, but when it does... The feeling makes all the rubbish (like that Panic! At The Disco album I bought just before the awful awful (just awful) "I chime in with haven't you people ever heard of..." song hit the radio because I was tickled by the people having mis-matched legs and torsos) that I buy seem worth it.

So let's rewind, shall we, to a few years ago. 2005, to be more exact. I was wandering around 78s, thinking maybe I would get the latest White Stripes album, when I paused by the 'Local Music!' display. An album caught my eye. The cover had this really cute hand drawn feel to it, there were all these green palm tree-y looking plants, and a big red heart and a dude that was maybe sticking a cane into a leaky hole, or maybe conducting an invisable orchestra with a hose, and there was a random porthole and a stained glass window. My brain declared it very cool, and my hands and feet worked together to get it to the checkout.

It wasn't until after I paid for it that I even looked at the album name and artist. "In Case We Die," by Architecture in Helsinki. ('Huh,' I thought, 'that's an odd name. Maybe it was put in the local music section by accident then?')

I listened to it. And I hated it. I really, really did. I just wasn't ready for the kind of music AiH had to offer me! But time passed, and I gave the album another try, and I realised what a fool I had been. How could I not have appreciated the way the creepy opening of the first song, Nevereverdid, melds beautifully into a happy boppy little tune? How could I have thought the harmonising vocals childish and annoying? I look back at old Megan, and I shake my head at her!

As an album, to me, 'In Case We Die' has a certain innocence to it. It has sinister moments, to be sure, but, ok, I'm going to get a little weird here but bear with me, it's like some of the moments are dark and forbidding, but the other moments are unaware of it. Like a little kid happily getting into a car with a stranger. 'Oh hey, you have candy! Awesome! I love candy! Do you love candy? Once, I had some candy, but my brother took it from me, so I hid his guinea pig, and then my mum got mad, and then...' So I guess what I'm trying to say it, 'In Case We Die' is like a hyperactive little kid, blissfully unaware of all the danger the future holds.

And so what of this years follow up album, "Places Like This?" (Which also has a very kick ass cover. But in pure Megan fashion I did not buy it for ages because all these albums with cool covers that I knew nothing about needed to be bought first...) From the opening notes it is very clear that that candy-loving ditz of a kid has grown up. The contrast between dark and light is not as well defined on this album. Instead, the two are combined. The melodies are still there, but no longer do they seem as crazy and little-kid-spinning-in-circles-until-they-vomit-from-the-dizziness-ish. They seem more cohesive, more planned. The whole album just has a much more mature sound. The falsetto's are almost completely gone, the lyrics seem to actually make sense. You pull up to this album and offer it some candy, it would probably just flip you off and keep cartwheeling down the street.

The cover of 'In Case We Die' is a building filled with random and magical things, surrounded by a wild jungle. On the cover of 'Places Like This,' the jungle has been suppressed, a crazy but at the same time orderly city constructed on top of it. What does this mean? I don't know, I just buy 'em cause they look cool. (But there's no physically impossible portholes to be found on 'Places Like This.' I'm just saying...)

from "In Case We Die:"
Nevereverdid.mp3
I was walking on the moon with your stalker
The Cemetery.mp3
There's a shadow on the wall and it's nine feet tall

from "Places Like This:"
Like It Or Not.mp3 (Oh man, I love this song. Ask me what my favourite AiH song is, this is my answer.)
Let me tell you something about christmas time when it's hot (i love that line. there needs to be more songs about christmas in the summertime).
Underwater.mp3
the wrath of millions of thieves lies disguised

Buy

(I've not actually heard their debut album, in case you were wondering why I ignored it. The album cover is kind of boring, if I recall correctly...)

12 October 2007

Architecture in Helsinki @ The Blender Theater at Gramercy, NYC 10/11/07


I must admit, I wasn't all that familiar with Architecture in Helsinki before seeing them live last night, but the Aussie octet quickly won me over with their happy-go-lucky electro-twee pop. The band have definitely joined the ranks of I'm From Barcelona not only in regards of being geographically confused, but in terms of making energetic, over-stuffed pop songs. AiH had the crowd buzzing all night. We did the whirlwind, oh and our hearts, they raced!

The Cemetery - Architecture in Helsinki Off 2005s In Case We Die
Heart It Races - Architecture in Helsinki Off 2007s Places Like This